How does one reverse engineer a technical artifact, let alone build a system of knowledge, use, and production around it? I investigate the Korean artisans and practitioners in the sixteenth and seventeenth centuries, and their efforts to understand and rebuild the Portuguese espingarda (matchlock musket) on their own terms. What emerges, first, is a hitherto untold story of how a global artifact became reconstituted in Korea... In telling this story, however, a second, methodological contribution is made: a hands-on approach that investigates the material objects through the very act of reverse engineering, defined here as mechanical dissection.